Colloquium by Devin Fore, Princeton University: On Factography
216
Speaker(s): Devin Fore, Princeton University
鈥楾he Emergence of Soviet
Factography鈥
February 27, 2013:
5.15pm
Pigott Hall (Building 260), Room
216
Despite its presumed association with
the documentary impulses found in Europe and the Americas, Soviet
factography, which flourished between 1924 and 1931, in fact bears
little resemblance to these other movements. Its fleeting sketches,
or ocherki, were a far more elusive genre than conventional
documentary, closer to modes of avant-garde experimentation than to
socialist realist didacticism. This talk pursues two inquiries, one
formal-literary and one media-theoretical: first, that of defining
the fugitive and enigmatic inscriptions of the factographers
stylistically; and second, that of understanding how, through a
process that Sergei Tret鈥檌akov called vzaimoinformatsiia
(鈥渞eciprocal information鈥), these ocherki were
supposed to serve as the basic cells of 鈥渢he collective
brain of the revolution.鈥 Drawing upon the writings of
the early systems theorist Aleksandr Bogdanov, contemporaneous
philosophies of emergence, and theorizations of distributive
intelligence, this talk will raise the question of what kind of
鈥渟ocial machine鈥 (Latour), or revolutionary
metaorganism, the factographers hoped to produce.
DEVIN FORE is an Associate Professor of German and an
Associate Faculty member of the Slavic Department at Princeton
University. His first book, Realism After Modernism: The
Rehumanization of Art and Literature (MIT/October Books, 2012)
examines the returns of mimetic realism in German cultural
production from the late 1920s into the Popular Front era with
chapters on Laszlo Moholy-Nagy, Carl Einstein, Bertolt Brecht, John
Heartfield, Ernst J眉nger and the industrial novel (Erik Reger,
Franz Jung, and Brecht). His forthcoming book All the Graphs:
Soviet Factography and the Emergence of Avant-Garde Documentary,
situates the work of the operative writer Sergei Tret'iakov
within the material culture of early the Soviet period. He is also
writing the introduction for the English translation of Oskar Negt
and Alexander Kluge鈥檚 History and Obstinacy (forthcoming
from Zone Books in 2013). Fore has published articles in the
journals New German Critique, October, Configurations, and Grey
Room, and has also translated a number of texts from both German
and Russian. He has been awarded grants from the Social Science
Research Council, the Fulbright, Humboldt, Mellon, and Whiting
Foundations, and he was the Anna Maria Kellen Fellow at the
American Academy in Berlin in 2008-2009.